STUDIO 1
YUNGBLUD came to Mammoth needing two contrasting worlds for Hello Heaven — a vast white infinity cove for the performance sequences and a dramatic blackout space for the darker, more atmospheric moments. One studio, one crew, no compromise on scale.
The size and flexibility of Mammoth meant the production could move seamlessly between looks, while the motorised grid allowed the team to transform the space quickly between setups, keeping the shoot moving and the creative momentum high.
Final film09:06
Mammoth made our lives ridiculously easy — we could go from a pristine white cove to a full blackout in no time, and YUNGBLUD loved it there.
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